Love’s Labour’s Lost, ACT IV
SCENE I. The same.
Love’s labour’s lost, act IV, scene 1
Enter the PRINCESS, and her train, a Forester, BOYET, ROSALINE, MARIA, and KATHARINE
Was that the king, that spurred his horse so hard
Against the steep uprising of the hill?
I know not; but I think it was not he.
Whoe’er a’ was, a’ show’d a mounting mind.
Well, lords, to-day we shall have our dispatch:
On Saturday we will return to France.
Then, forester, my friend, where is the bush
That we must stand and play the murderer in?
Hereby, upon the edge of yonder coppice;
A stand where you may make the fairest shoot.
I thank my beauty, I am fair that shoot,
And thereupon thou speak’st the fairest shoot.
Pardon me, madam, for I meant not so.
What, what? first praise me and again say no?
O short-lived pride! Not fair? alack for woe!
Yes, madam, fair.
Nay, never paint me now:
Where fair is not, praise cannot mend the brow.
Here, good my glass, take this for telling true:
Fair payment for foul words is more than due.
Nothing but fair is that which you inherit.
See see, my beauty will be saved by merit!
O heresy in fair, fit for these days!
A giving hand, though foul, shall have fair praise.
But come, the bow: now mercy goes to kill,
And shooting well is then accounted ill.
Thus will I save my credit in the shoot:
Not wounding, pity would not let me do’t;
If wounding, then it was to show my skill,
That more for praise than purpose meant to kill.
And out of question so it is sometimes,
Glory grows guilty of detested crimes,
When, for fame’s sake, for praise, an outward part,
We bend to that the working of the heart;
As I for praise alone now seek to spill
The poor deer’s blood, that my heart means no ill.
Do not curst wives hold that self-sovereignty
Only for praise sake, when they strive to be
Lords o’er their lords?
Only for praise: and praise we may afford
To any lady that subdues a lord.
Here comes a member of the commonwealth.
God dig-you-den all! Pray you, which is the head lady?
Thou shalt know her, fellow, by the rest that have no heads.
Which is the greatest lady, the highest?
The thickest and the tallest.
The thickest and the tallest! it is so; truth is truth.
An your waist, mistress, were as slender as my wit,
One o’ these maids’ girdles for your waist should be fit.
Are not you the chief woman? you are the thickest here.
What’s your will, sir? what’s your will?
I have a letter from Monsieur Biron to one Lady Rosaline.
O, thy letter, thy letter! he’s a good friend of mine:
Stand aside, good bearer. Boyet, you can carve;
Break up this capon.
I am bound to serve.
This letter is mistook, it importeth none here;
It is writ to Jaquenetta.
We will read it, I swear.
Break the neck of the wax, and every one give ear.
‘By heaven, that thou art fair, is most infallible;
true, that thou art beauteous; truth itself, that
thou art lovely. More fairer than fair, beautiful
than beauteous, truer than truth itself, have
commiseration on thy heroical vassal! The
magnanimous and most illustrate king Cophetua set
eye upon the pernicious and indubitate beggar
Zenelophon; and he it was that might rightly say,
Veni, vidi, vici; which to annothanize in the
vulgar,–O base and obscure vulgar!–videlicet, He
came, saw, and overcame: he came, one; saw two;
overcame, three. Who came? the king: why did he
come? to see: why did he see? to overcome: to
whom came he? to the beggar: what saw he? the
beggar: who overcame he? the beggar. The
conclusion is victory: on whose side? the king’s.
The captive is enriched: on whose side? the
beggar’s. The catastrophe is a nuptial: on whose
side? the king’s: no, on both in one, or one in
both. I am the king; for so stands the comparison:
thou the beggar; for so witnesseth thy lowliness.
Shall I command thy love? I may: shall I enforce
thy love? I could: shall I entreat thy love? I
will. What shalt thou exchange for rags? robes;
for tittles? titles; for thyself? me. Thus,
expecting thy reply, I profane my lips on thy foot,
my eyes on thy picture. and my heart on thy every
part. Thine, in the dearest design of industry,
DON ADRIANO DE ARMADO.’
Thus dost thou hear the Nemean lion roar
‘Gainst thee, thou lamb, that standest as his prey.
Submissive fall his princely feet before,
And he from forage will incline to play:
But if thou strive, poor soul, what art thou then?
Food for his rage, repasture for his den.
What plume of feathers is he that indited this letter?
What vane? what weathercock? did you ever hear better?
I am much deceived but I remember the style.
Else your memory is bad, going o’er it erewhile.
This Armado is a Spaniard, that keeps here in court;
A phantasime, a Monarcho, and one that makes sport
To the prince and his bookmates.
Thou fellow, a word:
Who gave thee this letter?
I told you; my lord.
To whom shouldst thou give it?
From my lord to my lady.
From which lord to which lady?
From my lord Biron, a good master of mine,
To a lady of France that he call’d Rosaline.
Thou hast mistaken his letter. Come, lords, away.
Here, sweet, put up this: ’twill be thine another day.
Exeunt PRINCESS and train
Who is the suitor? who is the suitor?
Shall I teach you to know?
Ay, my continent of beauty.
Why, she that bears the bow.
Finely put off!
My lady goes to kill horns; but, if thou marry,
Hang me by the neck, if horns that year miscarry.
Finely put on!
Well, then, I am the shooter.
And who is your deer?
If we choose by the horns, yourself come not near.
Finely put on, indeed!
You still wrangle with her, Boyet, and she strikes
at the brow.
But she herself is hit lower: have I hit her now?
Shall I come upon thee with an old saying, that was
a man when King Pepin of France was a little boy, as
touching the hit it?
So I may answer thee with one as old, that was a
woman when Queen Guinover of Britain was a little
wench, as touching the hit it.
Thou canst not hit it, hit it, hit it,
Thou canst not hit it, my good man.
An I cannot, cannot, cannot,
An I cannot, another can.
Exeunt ROSALINE and KATHARINE
By my troth, most pleasant: how both did fit it!
A mark marvellous well shot, for they both did hit it.
A mark! O, mark but that mark! A mark, says my lady!
Let the mark have a prick in’t, to mete at, if it may be.
Wide o’ the bow hand! i’ faith, your hand is out.
Indeed, a’ must shoot nearer, or he’ll ne’er hit the clout.
An if my hand be out, then belike your hand is in.
Then will she get the upshoot by cleaving the pin.
Come, come, you talk greasily; your lips grow foul.
She’s too hard for you at pricks, sir: challenge her to bowl.
I fear too much rubbing. Good night, my good owl.
Exeunt BOYET and MARIA
By my soul, a swain! a most simple clown!
Lord, Lord, how the ladies and I have put him down!
O’ my troth, most sweet jests! most incony
When it comes so smoothly off, so obscenely, as it
were, so fit.
Armado o’ th’ one side,–O, a most dainty man!
To see him walk before a lady and to bear her fan!
To see him kiss his hand! and how most sweetly a’
And his page o’ t’ other side, that handful of wit!
Ah, heavens, it is a most pathetical nit!
Exit COSTARD, running
LOVE’S LABOURS LOST
SCENE II. The same.
Enter HOLOFERNES, SIR NATHANIEL, and DULL
Very reverend sport, truly; and done in the testimony
of a good conscience.
The deer was, as you know, sanguis, in blood; ripe
as the pomewater, who now hangeth like a jewel in
the ear of caelo, the sky, the welkin, the heaven;
and anon falleth like a crab on the face of terra,
the soil, the land, the earth.
Truly, Master Holofernes, the epithets are sweetly
varied, like a scholar at the least: but, sir, I
assure ye, it was a buck of the first head.
Sir Nathaniel, haud credo.
‘Twas not a haud credo; ’twas a pricket.
Most barbarous intimation! yet a kind of
insinuation, as it were, in via, in way, of
explication; facere, as it were, replication, or
rather, ostentare, to show, as it were, his
inclination, after his undressed, unpolished,
uneducated, unpruned, untrained, or rather,
unlettered, or ratherest, unconfirmed fashion, to
insert again my haud credo for a deer.
I said the deer was not a haud credo; twas a pricket.
Twice-sod simplicity, his coctus!
O thou monster Ignorance, how deformed dost thou look!
Sir, he hath never fed of the dainties that are bred
in a book; he hath not eat paper, as it were; he
hath not drunk ink: his intellect is not
replenished; he is only an animal, only sensible in
the duller parts:
And such barren plants are set before us, that we
thankful should be,
Which we of taste and feeling are, for those parts that
do fructify in us more than he.
For as it would ill become me to be vain, indiscreet, or a fool,
So were there a patch set on learning, to see him in a school:
But omne bene, say I; being of an old father’s mind,
Many can brook the weather that love not the wind.
You two are book-men: can you tell me by your wit
What was a month old at Cain’s birth, that’s not five
weeks old as yet?
Dictynna, goodman Dull; Dictynna, goodman Dull.
What is Dictynna?
A title to Phoebe, to Luna, to the moon.
The moon was a month old when Adam was no more,
And raught not to five weeks when he came to
The allusion holds in the exchange.
‘Tis true indeed; the collusion holds in the exchange.
God comfort thy capacity! I say, the allusion holds
in the exchange.
And I say, the pollusion holds in the exchange; for
the moon is never but a month old: and I say beside
that, ’twas a pricket that the princess killed.
Sir Nathaniel, will you hear an extemporal epitaph
on the death of the deer? And, to humour the
ignorant, call I the deer the princess killed a pricket.
Perge, good Master Holofernes, perge; so it shall
please you to abrogate scurrility.
I will something affect the letter, for it argues facility.
The preyful princess pierced and prick’d a pretty
Some say a sore; but not a sore, till now made
sore with shooting.
The dogs did yell: put L to sore, then sorel jumps
Or pricket sore, or else sorel; the people fall a-hooting.
If sore be sore, then L to sore makes fifty sores
Of one sore I an hundred make by adding but one more L.
A rare talent!
[Aside] If a talent be a claw, look how he claws
him with a talent.
This is a gift that I have, simple, simple; a
foolish extravagant spirit, full of forms, figures,
shapes, objects, ideas, apprehensions, motions,
revolutions: these are begot in the ventricle of
memory, nourished in the womb of pia mater, and
delivered upon the mellowing of occasion. But the
gift is good in those in whom it is acute, and I am
thankful for it.
Sir, I praise the Lord for you; and so may my
parishioners; for their sons are well tutored by
you, and their daughters profit very greatly under
you: you are a good member of the commonwealth.
Mehercle, if their sons be ingenuous, they shall
want no instruction; if their daughters be capable,
I will put it to them: but vir sapit qui pauca
loquitur; a soul feminine saluteth us.
Enter JAQUENETTA and COSTARD
God give you good morrow, master Parson.
Master Parson, quasi pers-on. An if one should be
pierced, which is the one?
Marry, master schoolmaster, he that is likest to a hogshead.
Piercing a hogshead! a good lustre of conceit in a
tuft of earth; fire enough for a flint, pearl enough
for a swine: ’tis pretty; it is well.
Good master Parson, be so good as read me this
letter: it was given me by Costard, and sent me
from Don Armado: I beseech you, read it.
Fauste, precor gelida quando pecus omne sub umbra
Ruminat,–and so forth. Ah, good old Mantuan! I
may speak of thee as the traveller doth of Venice;
Chi non ti vede non ti pretia.
Old Mantuan, old Mantuan! who understandeth thee
not, loves thee not. Ut, re, sol, la, mi, fa.
Under pardon, sir, what are the contents? or rather,
as Horace says in his–What, my soul, verses?
Ay, sir, and very learned.
Let me hear a staff, a stanze, a verse; lege, domine.
If love make me forsworn, how shall I swear to love?
Ah, never faith could hold, if not to beauty vow’d!
Though to myself forsworn, to thee I’ll faithful prove:
Those thoughts to me were oaks, to thee like
Study his bias leaves and makes his book thine eyes,
Where all those pleasures live that art would
If knowledge be the mark, to know thee shall suffice;
Well learned is that tongue that well can thee commend,
All ignorant that soul that sees thee without wonder;
Which is to me some praise that I thy parts admire:
Thy eye Jove’s lightning bears, thy voice his dreadful thunder,
Which not to anger bent, is music and sweet fire.
Celestial as thou art, O, pardon, love, this wrong,
That sings heaven’s praise with such an earthly tongue.
You find not the apostraphas, and so miss the
accent: let me supervise the canzonet. Here are
only numbers ratified; but, for the elegancy,
facility, and golden cadence of poesy, caret.
Ovidius Naso was the man: and why, indeed, Naso,
but for smelling out the odouriferous flowers of
fancy, the jerks of invention? Imitari is nothing:
so doth the hound his master, the ape his keeper,
the tired horse his rider. But, damosella virgin,
was this directed to you?
Ay, sir, from one Monsieur Biron, one of the strange
I will overglance the superscript: ‘To the
snow-white hand of the most beauteous Lady
Rosaline.’ I will look again on the intellect of
the letter, for the nomination of the party writing
to the person written unto: ‘Your ladyship’s in all
desired employment, BIRON.’ Sir Nathaniel, this
Biron is one of the votaries with the king; and here
he hath framed a letter to a sequent of the stranger
queen’s, which accidentally, or by the way of
progression, hath miscarried. Trip and go, my
sweet; deliver this paper into the royal hand of the
king: it may concern much. Stay not thy
compliment; I forgive thy duty; adieu.
Good Costard, go with me. Sir, God save your life!
Have with thee, my girl.
Exeunt COSTARD and JAQUENETTA
Sir, you have done this in the fear of God, very
religiously; and, as a certain father saith,–
Sir tell me not of the father; I do fear colourable
colours. But to return to the verses: did they
please you, Sir Nathaniel?
Marvellous well for the pen.
I do dine to-day at the father’s of a certain pupil
of mine; where, if, before repast, it shall please
you to gratify the table with a grace, I will, on my
privilege I have with the parents of the foresaid
child or pupil, undertake your ben venuto; where I
will prove those verses to be very unlearned,
neither savouring of poetry, wit, nor invention: I
beseech your society.
And thank you too; for society, saith the text, is
the happiness of life.
And, certes, the text most infallibly concludes it.
Sir, I do invite you too; you shall not
say me nay: pauca verba. Away! the gentles are at
their game, and we will to our recreation.
LOVE’S LABOURS LOST
SCENE III. The same.
Enter BIRON, with a paper
The king he is hunting the deer; I am coursing
myself: they have pitched a toil; I am toiling in
a pitch,–pitch that defiles: defile! a foul
word. Well, set thee down, sorrow! for so they say
the fool said, and so say I, and I the fool: well
proved, wit! By the Lord, this love is as mad as
Ajax: it kills sheep; it kills me, I a sheep:
well proved again o’ my side! I will not love: if
I do, hang me; i’ faith, I will not. O, but her
eye,–by this light, but for her eye, I would not
love her; yes, for her two eyes. Well, I do nothing
in the world but lie, and lie in my throat. By
heaven, I do love: and it hath taught me to rhyme
and to be melancholy; and here is part of my rhyme,
and here my melancholy. Well, she hath one o’ my
sonnets already: the clown bore it, the fool sent
it, and the lady hath it: sweet clown, sweeter
fool, sweetest lady! By the world, I would not care
a pin, if the other three were in. Here comes one
with a paper: God give him grace to groan!
Enter FERDINAND, with a paper
[Aside] Shot, by heaven! Proceed, sweet Cupid:
thou hast thumped him with thy bird-bolt under the
left pap. In faith, secrets!
So sweet a kiss the golden sun gives not
To those fresh morning drops upon the rose,
As thy eye-beams, when their fresh rays have smote
The night of dew that on my cheeks down flows:
Nor shines the silver moon one half so bright
Through the transparent bosom of the deep,
As doth thy face through tears of mine give light;
Thou shinest in every tear that I do weep:
No drop but as a coach doth carry thee;
So ridest thou triumphing in my woe.
Do but behold the tears that swell in me,
And they thy glory through my grief will show:
But do not love thyself; then thou wilt keep
My tears for glasses, and still make me weep.
O queen of queens! how far dost thou excel,
No thought can think, nor tongue of mortal tell.
How shall she know my griefs? I’ll drop the paper:
Sweet leaves, shade folly. Who is he comes here?
What, Longaville! and reading! listen, ear.
Now, in thy likeness, one more fool appear!
Enter LONGAVILLE, with a paper
Ay me, I am forsworn!
Why, he comes in like a perjure, wearing papers.
In love, I hope: sweet fellowship in shame!
One drunkard loves another of the name.
Am I the first that have been perjured so?
I could put thee in comfort. Not by two that I know:
Thou makest the triumviry, the corner-cap of society,
The shape of Love’s Tyburn that hangs up simplicity.
I fear these stubborn lines lack power to move:
O sweet Maria, empress of my love!
These numbers will I tear, and write in prose.
O, rhymes are guards on wanton Cupid’s hose:
Disfigure not his slop.
This same shall go.
Did not the heavenly rhetoric of thine eye,
‘Gainst whom the world cannot hold argument,
Persuade my heart to this false perjury?
Vows for thee broke deserve not punishment.
A woman I forswore; but I will prove,
Thou being a goddess, I forswore not thee:
My vow was earthly, thou a heavenly love;
Thy grace being gain’d cures all disgrace in me.
Vows are but breath, and breath a vapour is:
Then thou, fair sun, which on my earth dost shine,
Exhalest this vapour-vow; in thee it is:
If broken then, it is no fault of mine:
If by me broke, what fool is not so wise
To lose an oath to win a paradise?
This is the liver-vein, which makes flesh a deity,
A green goose a goddess: pure, pure idolatry.
God amend us, God amend! we are much out o’ the way.
By whom shall I send this?–Company! stay.
All hid, all hid; an old infant play.
Like a demigod here sit I in the sky.
And wretched fools’ secrets heedfully o’ereye.
More sacks to the mill! O heavens, I have my wish!
Enter DUMAIN, with a paper
Dumain transform’d! four woodcocks in a dish!
O most divine Kate!
O most profane coxcomb!
By heaven, the wonder in a mortal eye!
By earth, she is not, corporal, there you lie.
Her amber hair for foul hath amber quoted.
An amber-colour’d raven was well noted.
As upright as the cedar.
Stoop, I say;
Her shoulder is with child.
As fair as day.
Ay, as some days; but then no sun must shine.
O that I had my wish!
And I had mine!
And I mine too, good Lord!
Amen, so I had mine: is not that a good word?
I would forget her; but a fever she
Reigns in my blood and will remember’d be.
A fever in your blood! why, then incision
Would let her out in saucers: sweet misprision!
Once more I’ll read the ode that I have writ.
Once more I’ll mark how love can vary wit.
On a day–alack the day!–
Love, whose month is ever May,
Spied a blossom passing fair
Playing in the wanton air:
Through the velvet leaves the wind,
All unseen, can passage find;
That the lover, sick to death,
Wish himself the heaven’s breath.
Air, quoth he, thy cheeks may blow;
Air, would I might triumph so!
But, alack, my hand is sworn
Ne’er to pluck thee from thy thorn;
Vow, alack, for youth unmeet,
Youth so apt to pluck a sweet!
Do not call it sin in me,
That I am forsworn for thee;
Thou for whom Jove would swear
Juno but an Ethiope were;
And deny himself for Jove,
Turning mortal for thy love.
This will I send, and something else more plain,
That shall express my true love’s fasting pain.
O, would the king, Biron, and Longaville,
Were lovers too! Ill, to example ill,
Would from my forehead wipe a perjured note;
For none offend where all alike do dote.
[Advancing] Dumain, thy love is far from charity.
You may look pale, but I should blush, I know,
To be o’erheard and taken napping so.
[Advancing] Come, sir, you blush; as his your case is such;
You chide at him, offending twice as much;
You do not love Maria; Longaville
Did never sonnet for her sake compile,
Nor never lay his wreathed arms athwart
His loving bosom to keep down his heart.
I have been closely shrouded in this bush
And mark’d you both and for you both did blush:
I heard your guilty rhymes, observed your fashion,
Saw sighs reek from you, noted well your passion:
Ay me! says one; O Jove! the other cries;
One, her hairs were gold, crystal the other’s eyes:
You would for paradise break faith, and troth;
And Jove, for your love, would infringe an oath.
What will Biron say when that he shall hear
Faith so infringed, which such zeal did swear?
How will he scorn! how will he spend his wit!
How will he triumph, leap and laugh at it!
For all the wealth that ever I did see,
I would not have him know so much by me.
Now step I forth to whip hypocrisy.
Ah, good my liege, I pray thee, pardon me!
Good heart, what grace hast thou, thus to reprove
These worms for loving, that art most in love?
Your eyes do make no coaches; in your tears
There is no certain princess that appears;
You’ll not be perjured, ’tis a hateful thing;
Tush, none but minstrels like of sonneting!
But are you not ashamed? nay, are you not,
All three of you, to be thus much o’ershot?
You found his mote; the king your mote did see;
But I a beam do find in each of three.
O, what a scene of foolery have I seen,
Of sighs, of groans, of sorrow and of teen!
O me, with what strict patience have I sat,
To see a king transformed to a gnat!
To see great Hercules whipping a gig,
And profound Solomon to tune a jig,
And Nestor play at push-pin with the boys,
And critic Timon laugh at idle toys!
Where lies thy grief, O, tell me, good Dumain?
And gentle Longaville, where lies thy pain?
And where my liege’s? all about the breast:
A caudle, ho!
Too bitter is thy jest.
Are we betray’d thus to thy over-view?
Not you to me, but I betray’d by you:
I, that am honest; I, that hold it sin
To break the vow I am engaged in;
I am betray’d, by keeping company
With men like men of inconstancy.
When shall you see me write a thing in rhyme?
Or groan for love? or spend a minute’s time
In pruning me? When shall you hear that I
Will praise a hand, a foot, a face, an eye,
A gait, a state, a brow, a breast, a waist,
A leg, a limb?
Soft! whither away so fast?
A true man or a thief that gallops so?
I post from love: good lover, let me go.
Enter JAQUENETTA and COSTARD
God bless the king!
What present hast thou there?
Some certain treason.
What makes treason here?
Nay, it makes nothing, sir.
If it mar nothing neither,
The treason and you go in peace away together.
I beseech your grace, let this letter be read:
Our parson misdoubts it; ’twas treason, he said.
Biron, read it over.
Giving him the paper
Where hadst thou it?
Where hadst thou it?
Of Dun Adramadio, Dun Adramadio.
BIRON tears the letter
How now! what is in you? why dost thou tear it?
A toy, my liege, a toy: your grace needs not fear it.
It did move him to passion, and therefore let’s hear it.
It is Biron’s writing, and here is his name.
Gathering up the pieces
[To COSTARD] Ah, you whoreson loggerhead! you were
born to do me shame.
Guilty, my lord, guilty! I confess, I confess.
That you three fools lack’d me fool to make up the mess:
He, he, and you, and you, my liege, and I,
Are pick-purses in love, and we deserve to die.
O, dismiss this audience, and I shall tell you more.
Now the number is even.
True, true; we are four.
Will these turtles be gone?
Hence, sirs; away!
Walk aside the true folk, and let the traitors stay.
Exeunt COSTARD and JAQUENETTA
Sweet lords, sweet lovers, O, let us embrace!
As true we are as flesh and blood can be:
The sea will ebb and flow, heaven show his face;
Young blood doth not obey an old decree:
We cannot cross the cause why we were born;
Therefore of all hands must we be forsworn.
What, did these rent lines show some love of thine?
Did they, quoth you? Who sees the heavenly Rosaline,
That, like a rude and savage man of Inde,
At the first opening of the gorgeous east,
Bows not his vassal head and strucken blind
Kisses the base ground with obedient breast?
What peremptory eagle-sighted eye
Dares look upon the heaven of her brow,
That is not blinded by her majesty?
What zeal, what fury hath inspired thee now?
My love, her mistress, is a gracious moon;
She an attending star, scarce seen a light.
My eyes are then no eyes, nor I Biron:
O, but for my love, day would turn to night!
Of all complexions the cull’d sovereignty
Do meet, as at a fair, in her fair cheek,
Where several worthies make one dignity,
Where nothing wants that want itself doth seek.
Lend me the flourish of all gentle tongues,–
Fie, painted rhetoric! O, she needs it not:
To things of sale a seller’s praise belongs,
She passes praise; then praise too short doth blot.
A wither’d hermit, five-score winters worn,
Might shake off fifty, looking in her eye:
Beauty doth varnish age, as if new-born,
And gives the crutch the cradle’s infancy:
O, ’tis the sun that maketh all things shine.
By heaven, thy love is black as ebony.
Is ebony like her? O wood divine!
A wife of such wood were felicity.
O, who can give an oath? where is a book?
That I may swear beauty doth beauty lack,
If that she learn not of her eye to look:
No face is fair that is not full so black.
O paradox! Black is the badge of hell,
The hue of dungeons and the suit of night;
And beauty’s crest becomes the heavens well.
Devils soonest tempt, resembling spirits of light.
O, if in black my lady’s brows be deck’d,
It mourns that painting and usurping hair
Should ravish doters with a false aspect;
And therefore is she born to make black fair.
Her favour turns the fashion of the days,
For native blood is counted painting now;
And therefore red, that would avoid dispraise,
Paints itself black, to imitate her brow.
To look like her are chimney-sweepers black.
And since her time are colliers counted bright.
And Ethiopes of their sweet complexion crack.
Dark needs no candles now, for dark is light.
Your mistresses dare never come in rain,
For fear their colours should be wash’d away.
‘Twere good, yours did; for, sir, to tell you plain,
I’ll find a fairer face not wash’d to-day.
I’ll prove her fair, or talk till doomsday here.
No devil will fright thee then so much as she.
I never knew man hold vile stuff so dear.
Look, here’s thy love: my foot and her face see.
O, if the streets were paved with thine eyes,
Her feet were much too dainty for such tread!
O, vile! then, as she goes, what upward lies
The street should see as she walk’d overhead.
But what of this? are we not all in love?
Nothing so sure; and thereby all forsworn.
Then leave this chat; and, good Biron, now prove
Our loving lawful, and our faith not torn.
Ay, marry, there; some flattery for this evil.
O, some authority how to proceed;
Some tricks, some quillets, how to cheat the devil.
Some salve for perjury.
‘Tis more than need.
Have at you, then, affection’s men at arms.
Consider what you first did swear unto,
To fast, to study, and to see no woman;
Flat treason ‘gainst the kingly state of youth.
Say, can you fast? your stomachs are too young;
And abstinence engenders maladies.
And where that you have vow’d to study, lords,
In that each of you have forsworn his book,
Can you still dream and pore and thereon look?
For when would you, my lord, or you, or you,
Have found the ground of study’s excellence
Without the beauty of a woman’s face?
From women’s eyes this doctrine I derive; They are the ground, the books, the academes From whence doth spring the true Promethean fire
Why, universal plodding poisons up
The nimble spirits in the arteries,
As motion and long-during action tires
The sinewy vigour of the traveller.
Now, for not looking on a woman’s face,
You have in that forsworn the use of eyes
And study too, the causer of your vow;
For where is any author in the world
Teaches such beauty as a woman’s eye?
Learning is but an adjunct to ourself
And where we are our learning likewise is:
Then when ourselves we see in ladies’ eyes,
Do we not likewise see our learning there?
O, we have made a vow to study, lords,
And in that vow we have forsworn our books.
For when would you, my liege, or you, or you,
In leaden contemplation have found out
Such fiery numbers as the prompting eyes
Of beauty’s tutors have enrich’d you with?
Other slow arts entirely keep the brain;
And therefore, finding barren practisers,
Scarce show a harvest of their heavy toil:
But love, first learned in a lady’s eyes,
Lives not alone immured in the brain;
But, with the motion of all elements,
Courses as swift as thought in every power,
And gives to every power a double power,
Above their functions and their offices.
It adds a precious seeing to the eye;
A lover’s eyes will gaze an eagle blind;
A lover’s ear will hear the lowest sound,
When the suspicious head of theft is stopp’d:
Love’s feeling is more soft and sensible
Than are the tender horns of cockl’d snails;
Love’s tongue proves dainty Bacchus gross in taste:
For valour, is not Love a Hercules,
Still climbing trees in the Hesperides?
Subtle as Sphinx; as sweet and musical
As bright Apollo’s lute, strung with his hair:
And when Love speaks, the voice of all the gods
Makes heaven drowsy with the harmony.
Never durst poet touch a pen to write
Until his ink were temper’d with Love’s sighs;
O, then his lines would ravish savage ears
And plant in tyrants mild humility.
From women’s eyes this doctrine I derive:
They sparkle still the right Promethean fire;
They are the books, the arts, the academes,
That show, contain and nourish all the world:
Else none at all in ought proves excellent.
Then fools you were these women to forswear,
Or keeping what is sworn, you will prove fools.
For wisdom’s sake, a word that all men love,
Or for love’s sake, a word that loves all men,
Or for men’s sake, the authors of these women,
Or women’s sake, by whom we men are men,
Let us once lose our oaths to find ourselves,
Or else we lose ourselves to keep our oaths.
It is religion to be thus forsworn,
For charity itself fulfills the law,
And who can sever love from charity?
Saint Cupid, then! and, soldiers, to the field!
Advance your standards, and upon them, lords;
Pell-mell, down with them! but be first advised,
In conflict that you get the sun of them.
Now to plain-dealing; lay these glozes by:
Shall we resolve to woo these girls of France?
And win them too: therefore let us devise
Some entertainment for them in their tents.
First, from the park let us conduct them thither;
Then homeward every man attach the hand
Of his fair mistress: in the afternoon
We will with some strange pastime solace them,
Such as the shortness of the time can shape;
For revels, dances, masks and merry hours
Forerun fair Love, strewing her way with flowers.
Away, away! no time shall be omitted
That will betime, and may by us be fitted.
Allons! allons! Sow’d cockle reap’d no corn;
And justice always whirls in equal measure:
Light wenches may prove plagues to men forsworn;
If so, our copper buys no better treasure.